Selected Publications, Articles, Reviews, Blogs

Sarah Cascone, “Urban Justice Center Turns Art into a Weapon for Social Change, New York,” NY, November 4, 2015, (illus)

Keri Blakinger, “The art of doing time: Ex-cons launch reentry art installation in Manhattan,” New York Daily News, New York, NY, October 29, 2015(illus)

Oriana Parker, “Balancing the scales,” ASU Magazine, Tempe, AZ, September 2015 (illus)

Carolina A. Miranda, “Grants help Southern California artists make work in the social sphere,” Los Angeles Times, Los Angeles, CA, February 10, 2015 (illus)

Cher Krause Knight, “Editors’ Statement: Open Issue,” Public Art Dialogue, vol 4, no 2,Routledge, Francis & Taylor Group, Oxon, United Kingdom, pg 173-174, Fall 2014

Heather Lineberry, “What can art bring to sustainability?” A Thought Leader Series Piece, on-line newsletter, Global Institute of Sustainability, ASU, Tempe, AZ,Oct 24, 2014 (illus)

Gregory Sale, “A Subversive Permission,” Mid-Atlantic Print Council Journal: Democracy & Print, Volume 17, Numbers 3 & 4, 2009

Jackie Battenfield, The Artist’s Guide: How to Make a Living Doing What You Love, Da Capo Press, 2009

Gregory Sale, “The Sustainable and the Temporary,” Public Art and Sustainability: Here to Stay, Public Art Review, 20th Anniversary Issue, Spring/Summer 2009

Lilia Menconi, “Love Bites at MOCA in Tucson,” Phoenix New Times, Phoenix, AZ, December 1, 2008

Otto Ross, “Gregory Sale knows Love Bites… and he wants to talk to us about it.” Tucson Citizen, November 30, 2008

Lilia Menconi, “Love Buttons at Lisa Sette Gallery opens a public discussion on love with wearable art,” Phoenix New Times, Phoenix, AZ, July 24, 2008

Scott Andrews, “Local Produce at Lisa Sette Gallery,” Java Magazine, Phoenix, AZ, July 2008

Lilia Menconi, “Forever Young and Temporarily 21,” Phoenix New Times, Phoenix, AZ, August 9, 2007

Chris Santa Maria, “7+7+7=21 at Lisa Sette Gallery,” Hearsight, Phoenix, AZ, July 14, 2007

Wynter Holden, “The Magnificent Sevens: Lisa Sette gets lucky,” Phoenix New Times, Phoenix, AZ, July 26, 2007

Amy Silverman, “The ‘Do Me’ crowd – all together,” Phoenix New Times, Phoenix, AZ, February 22, 2007

Gregory Sale, “Reprint. Gregory Sale does Deborah Sussman Susser,” Phoenix New Times, Phoenix, AZ, February 22, 2007

Kathy Geritz, “Yoko Ono: Imagine Film,” Art & Film Notes, BAM/PFA, University of California, Berkeley Art Museum & Pacific Film Archive, Berkeley, CA, January/February 2007

Kurt von Behrmann, “Gregory Sale: Private Art in Public Spaces–Expressing the Personal through Conceptual Art,” Outlook Arizona, Phoenix, AZ, October/November 2006

Edward Booth-Clibborn, Phoenix: 21st Century City, Booth-Clibborn Editions, United Kingdom, 2006

Richard Nilsen, “Gallery has lock on impact of hair,” Arizona Republic, Phoenix, AZ, July 30, 2006

Wynter Holden, “Shear Magic,” Phoenix New Times, Phoenix, AZ, July 20-26, 2006

Leanne Potts, “Text Message: Explore the Studio in Gregory Sale’s Head,” Phoenix New Times, Phoenix, AZ, March 2, 2006

Gregory Sale and Kate Wagle, “Conversations” Juror’s catalogue essay, Utah 2005 Statewide Annual Exhibition – Painting and Sculpture Catalogue, Salt Lake City, UT, 2005

Andrea Galyean, “Artists’ Initiative Temporary Public Art Projects,” Milestones, Phoenix Office of Arts and Culture, Phoenix, AZ, Summer 2004

Kathleen Vanesian, “Girls, Uninterrupted. This Show Impressed Even the Harshest Critic.” Phoenix New Times, Phoenix, AZ, October 9, 2003

Ernest McIntyre, “Still Looking for Yoko,” Arizona Republic, Phoenix, AZ, November 1, 2002

Margaret Regan, “Haz Mat Arrives,” The Tucson Weekly, Tucson, AZ, December 10, 1999

Harmony Hammond, “Out West,” catalogue, Plan B Evolving Arts (CCA Inc.), Santa Fe, NM, 1999

Lucio Pozzi and Bradley Rubenstein, “Teach Art,” New Observations, New York, NY, 1998 Margaret Regan, “Gender School,” The Tucson Weekly, Tucson, AZ, January 12, 1994

Robert Mahoney, “New York in Review: Snug Harbor Sculpture Festival,” Arts Magazine, New York, NY, November 1989

Vivian Raynor, “Sculpture Show with Strong Messages,” The New York Times, NJ edition, New York, NY, August 6, 1989

Chris Redd, “Surrealism Revised and Revisited,” Arts Journal, Greensboro, NC, July, 1988

Tom Patterson, “Exhibition at SECCA Shows Surrealism Alive and Well,” Winston-Salem Journal, Winston-Salem, NC, July 1988